About
69 PERFORMANCES. EIGHT WEEKS ONLY. ONE MORE CHANCE. Jeremy O. Harris’ Slave Play, the acclaimed production that “reimagines the possibilities of what theater can give us” (The New York Times) is returning to Broadway for a limited engagement beginning November 23. Don’t miss this opportunity to experience the groundbreaking play that rips open history at the intersection of race, love, sex, and sexuality in 21st-century America.
WHAT PEOPLE
ARE SAYING

Part 1 of YOU CAN’T SAY THAT! Host Tonya Pinkins welcomes magnetic playwright of Broadway’s SLAVE PLAY, Jeremy O. Harris and captivating SLAVE PLAY star Joaquina Kalukango.
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In this week’s Sunday Closer, NBC’s Harry Smith sits down with Jeremy O. Harris, the playwright for the broadway production everyone is talking about.
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Jeremy O. Harris talks about receiving texts from Rihanna during his Broadway show, ‘Slave Play,’ making Broadway more affordable and how he scams people to get free tickets to theater shows.
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Playwright Jeremy O. Harris discusses his acclaimed new work ‘Slave Play.’
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Experiencing Jeremy O. Harris’s provocative Broadway debut feels fraught, but invigorating.
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Even in Times Square — crammed with tourists from around the world dodging people in superhero costumes — the playwright Jeremy O. Harris stands out.
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Actor and playwright Jeremy O. Harris sits down with Ebro in the Morning to discuss the steps and journey behind Slave Play .
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Playwright Jeremy O. Harris had no intention of bringing his work to Broadway.
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The morning after Slave Play 's opening, the playwright caught up with T&C on his way to London to rehearse his next play.
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Risky? For sure. Triggering? Possibly. A must-see? Audiences are about to decide.
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Playwright Jeremy O. Harris discusses his experimental theater piece ‘Slave Play.’
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He’s got two incendiary plays opening in New York. He’s been dressed by Gucci and Thom Browne. But Jeremy O. Harris still has to finish graduate school.
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This essay is riddled with spoilers. The play is lit, though. So we’re not ruining it.
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Jeremy O. Harris talks about the sexual politics of white supremacy and about how he finds humor in horror (and vice versa).
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